Sunday 29th October 2017
Sunday 26th November 2017
Sunday 17th December 2017 Continue reading Coffee Concert Dates for 2017-2018 season
Sunday 29th October 2017
Sunday 26th November 2017
Sunday 17th December 2017 Continue reading Coffee Concert Dates for 2017-2018 season
by Helen Simpson
This is an all English programme which celebrates composers and the performer Julian Bream who in the mid twentieth century did so much to promote the Lute, the Renaissance and Baroque guitar in solo performances. The four twentieth century pieces in today’s concert were written for Continue reading Concert 29th January 2017 – Programme Notes
Bonus trailer appearance: Sean Shibe (guitar): Walton, the first of his 5 Bagatelles. Ahead of appearing in the next Coffee Concert, on January 29.
Were Trio Isimsiz a holiday destination the brochures would be describing them as Continue reading Coffee Concert 18th December 2016 – Review by Richard Amey, Worthing Herald
Coffee Concert – 18 December 2016 – Trio Isimsiz
This is the second time we’ve heard Trio Isimsiz at a coffee concert and I’m getting a feel for what is so extraordinary about them. It’s their delicacy. It’s a delicacy that’s not just about playing quietly Continue reading Coffee Concert 18th December 2016 – Review by Andrew Polmear
Couperin Suite: Ritratto dell’amore (Portrait of Love, Royal Concert No 9 in E major; 1724); Dutilleux, Sonata for Oboe & Piano (1947); Saint-Saens, Sonata for Bassoon & Oboe Op 168 (1921); Schumann, Three Romances for Oboe & Piano Op 94 (1849); Jolivet, Sonatine for Oboe & Bassoon (1963); Poulenc, Trio for Oboe, Bassoon & Piano FP43 (1926). Continue reading Coffee Concert 20th November 2016 – Review by Richard Amey, Worthing Herald
Coffee Concert 20 November 2016 Amy Harman, Olivier Stankiewicz and Tom Poster
Have we found the perfect venue for chamber music? At the Attenborough Centre for the Creative Arts (ACCA) we found ourselves in the most interesting building, architecturally, on the serene and elegant Continue reading Coffee Concert 20th November 2016 – Review by Andrew Polmear