Newsletter #38 August 2019
Welcome to our newsletter – designed to keep you informed about our activities, as well as other local chamber music events
2019/20 COFFEE CONCERT SEASON
The Sunday morning coffee concerts will resume in October, More
Coffee Concerts
Coffee Concert 24th March 2019 – Aquinas Trio – Strings Attached Review by Andrew Polmear
It has been 6 years since I last reviewed a coffee concert by the Aquinas Trio. Then I was struck by the expressive delicacy and clarity of their playing. I noted that they play as one, not just with impeccable intonation and perfect ensemble, but in the way they interpret the music: understated but not unfeeling, emotional but not showy. That way of playing More
Coffee Concert 24th March 2019 – Aquinas Trio – Other reviews
Strings Attached welcomes reviews from anyone who has attended this Coffee Concert. If you would like to submit a review please contact the site editor at editor@stringsattachedmusic.org.uk. Opinions expressed on this page are those of the authors and do not necessarily reflect the views of the committee.
Ruth Rogers (violin), Katherine Jenkinson (cello), Martin Cousin (piano). Trios by Haydn (1732-1809) in E major Hob XV:28 (1797), Mendelssohn (1809-1847) No 1 in D minor Op 49 (1839), Robert Schuman (1810-1856) No 2 in F major Op 80 (1847).
Poor Robert Schumann. Having married the love of his life after enduring vindictive opposition, not from his future mother-in-law but her husband, who was his own piano teacher (intimidating or what?), he got a rough old deal More
Coffee Concert Dates for 2019-2020 season
Sunday 20th October 2019
Sunday 17th November 2019
Sunday 8th December 2019
at the University of Sussex, Attenborough Centre for the Creative Arts.
24th March 2019 – Aquinas Trio – Programme notes by Chris Darwin
Joseph Haydn (1732-1809) Piano Trio in E, Hob. XV:28 (1797)
Allegro moderato
Allegretto
Finale. Allegro
It is easy to undervalue Haydn’s Piano Trios. The string parts often double the keyboard and generally lack the independence found later, say in Beethoven. But for much of his piano trio output, Haydn’s hands were tied by the underpowered keyboards that he was writing for – doubling of the weak keyboard bass line was a necessity. Viewed on their own terms as ‘keyboard sonatas with string accompaniment’, we can enjoy their virtues rather than wishing they were Beethoven. More