Joseph Haydn (1732-1809) Piano Trio in E, Hob. XV:28 (1797)
Allegro moderato
Allegretto
Finale. Allegro
It is easy to undervalue Haydn’s Piano Trios. The string parts often double the keyboard and generally lack the independence found later, say in Beethoven. But for much of his piano trio output, Haydn’s hands were tied by the underpowered keyboards that he was writing for – doubling of the weak keyboard bass line was a necessity. Viewed on their own terms as ‘keyboard sonatas with string accompaniment’, we can enjoy their virtues rather than wishing they were Beethoven. Continue reading 24th March 2019 – Aquinas Trio – Programme notes by Chris Darwin
